In his first -- and only, I believe -- work for no-input mixer, you hear the echoes of Nick Hennies’ studious improvisational approach with careful shifts of high-pitched feedback and his attention to (a)tonal in/sensitivity. Physical release was a hand-numbered edition of 75. Artwork by Andrew Drummond was printed on heavy cardstock with a dark blue gel slipped into a mylar sleeve to reveal the text.
"… very well structured and considered, keeping to a subdued volume range but allowing things to fluctuate-and-hold in a very natural series of patterns, balancing between changes in timbre and (slow) pulse."
-- Brian Olewnick, Just Outside